Grade 12

 

 STUDENTS NAMES 12 Term Term 60% Exam 40% Final Final Cartier Moxey AA 0 F   68 27 27 F D’Avante Kemp AA 92 A 55 69 28 83 B+ Fradesha Pinder AA 74 B 44 45 18 62 C Tonisha Knowles AA 85 B+ 51 33 13 64 C+ Rochelle Rolle AA  83 B+ 50 68 27 77 B Shante'  Hepburn  AA 82 B+ 49 45 18 67 C+ Gabrielle Russell AS 93 A 56 96 38 94 A Genae Forbes AS 97 A 58 98 39 98 A Janae Adderly AS 92 A 55 91 36 92 A Kevin Wood AS 95 A 57 83 33 90 A Raven Butler AS 88 A 53 94 38 91 A Amber Hunt B2 87 B+ 52 83 33 86 B+ Keddia Octaven CA 94 A 56 93 37 94 A Aliandro Russell EL 82 B+ 49 76 30 80 B Patrick Rolle EL 89 B+ 54 70 28 82 B+ Phillip Roberts EL 86 B+ 51 83 33 85 B+ Polernne Alanzo EL 94 A 57 95 38 95 A Theadore Braynen EL 88 B+ 53 83 33 86 B+ Bradford Russell ES 88 B+ 53 77 31 84 B+ Destinee Cooper HHT 85 B+ 51 85 34 85 B+ Elkanah Rigby HHT 89 B+ 53 51 20 74 B James Leathen HHT 84 B+ 50 73 29 79 B Olivia Letford HHT 82 B+ 49 33 13 62 C Bob Martin MB 87 B+ 52 83 33 86 B+ Celment Nottage WEL 91 A 55 63 25 80 B Leroy Gibbs WEL 81 B+ 48 72 29 77 B

Monday, November 2nd, 2009

Major and their Relative Minors

In music, the relative minor of a particular major key (or the relative major of a minor key) is the key which has the same key signature but a different tonic, as opposed to parallel minor (or major, where appropriate) which shares the same tonic. For example, G major and E minor both have a single sharp in their key signature at F; therefore, E minor is the relative minor of G major. The relative minor of a major key always has a tonic a minor third lower.

A complete list of relative minor/major pairs in order of the circle of fifths is:


Key signature Major key Minor key
B, E, A, D, G, C, F C major A minor
B, E, A, D, G, C G major E minor
B, E, A, D, G D major B minor
B, E, A, D A major F minor
B, E, A E major C minor
B, E B major G minor
B F major D minor

C major A minor
F G major E minor
F, C D major B minor
F, C, G A major F minor
F, C, G, D E major C minor
F, C, G, D, A B major G minor
F, C, G, D, A, E F major D minor
F, C, G, D, A, E, B C major A minor

Together with moves to the dominant (fifth scale degree) or subdominant (fourth scale degree), modulations to the relative minor or major are the most common in tonal music.

Finding the relative major or minor

To find the relative minor of a particular key go down a minor third (three semitones) from the tonic of the major key.

  • Example: If your major key is C major, going down a minor third from the note C will land you on the note A. So, A minor is the relative minor of C major. Or instead of going down a minor third you can go up a sixth, or say it is the sixth note in the Major scale

To find the relative major of a particular key go up a minor third from the tonic of the minor key.

  • Example: If your minor key is E minor, going up a minor third from the note E will land you on the note G. So, G major is the relative major of E minor.

   Here are a few of the major scales and their relative minors:

Tuesday, October 27th, 2009

More Help on Intervals


Intervals

     An interval is the distance between two notes. Intervals are always counted from the lower note to the higher one, with the lower note being counted as one. Intervals come in different qualities and size. If the notes are sounded successively, it is a melodic interval. If sounded simultaneously, then it is a harmonic interval.

     The smallest interval used in Western music is the half step. A visual representation of a half step would be the distance between a consecutive white and black note on the piano. There are two exceptions to this rule, as two natural half steps occur between the notes E and F, and B and C.

     A whole step is the distance between two consecutive white or black keys. It is made up of two half steps.

Keyboard


Qualities and Size

Intervals can be described as Major (M), Minor (m), Perfect (P), Augmented (A), and Diminished (d).

Intervals come in various sizes: Unisons, Seconds, Thirds, Fourths, Fifths, Sixths, and Sevenths.

2nds, 3rds, 6ths, and 7ths can be found as Major and Minor.
Unisons, 4ths, 5ths, and Octaves are Perfect.
Listen

Staff

When a major interval is raised by a half step, it becomes augmented.
When a major interval is lowered by a half step, it becomes minor.
When a major interval is lowered by two half steps, it becomes diminished.

When a minor interval is raised by a half step, it becomes major.
When a minor interval is raised by two half steps, it becomes augmented.
When a minor interval is lowered by a half step, it becomes diminished.

When a perfect interval is raised by a half step, it becomes augmented.
When a perfect interval is lowered by a half step, it becomes diminished.

INVERSIONS OF INTERVALS
     Intervals can be inverted, which basically means you turn them upside down. The lower note is raised up an octave so that the top note/bottom note relationship is reversed. The chart below shows the inversions of intervals.

Qualities
  • Major becomes Minor
  • Minor becomes Major
  • Perfect remains Perfect
  • Augmented becomes Diminished
  • Diminished becomes Augmented
Size
  • 2 becomes 7
  • 3 becomes 6
  • 4 becomes 5
  • 5 becomes 4
  • 6 becomes 3
  • 7 becomes 2

Interval Identification
     It is important to be able to hear and identify intervals. This is a very important thing for musicians to do. Here is a list of familiar songs that will help you to identify the intervals.
m2- Stormy Weather
M2- Happy Birthday
m3- The Impossible Dream
So Long, Farewell from The Sound of Music
M3- Halls of Montezuma
P4- Here comes the bride
A4- Maria from West Side Story
P5- Star Wars
Twinkle, Twinkle, Little Star
M6- NBC theme music
m7- Somewhere from West Side Story
M7- Bali Hai from South Pacific
Octave- Over the rainbow
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